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A guard patrolling the custodial road caught the flash of yellow lying in the dirt and stopped his jeep. He approached cautiously, kneeling in the ankle- deep grass. It was not like any butterfly he had seen before. First of all, it was larger. Its wings were rigid, with jagged bits of a paperthin metal protruding from the silken skin. The fuzzy thorax was split in two and connected by a green wire. Mystified, he picked it up and examined it. Like all those who worked at the facility, he was first and foremost an engineer, and only reluctantly a soldier. What he saw left him shaken. Inside the thorax was an aluminum- cased battery no bigger than a grain of rice, and attached to it, a microwave transmitter. Using his thumbnail, he sheared away the antennae’s skin to reveal a cluster of fiber- optic cables, thin as human hair. No, he argued to himself. Not so soon. Suddenly, he was running back to the jeep. Words tore through his mind. An exposed stone caught his foot and he crashed to the ground. Clambering to his feet, he hurried toward the jeep. Every minute was vital. His hand shook as he radioed his superiors.“They have found us.”1. Jonathan Ransom knocked the ice from his goggles and stared up at the sky. If this gets any worse, he thought to himself, we’re going to be in trouble. The snow was falling harder. A snarling wind snapped ice and grit against his cheek. The craggy, familiar peaks that ringed the high alpine valley had disappeared behind an armada of threatening clouds. He lifted one ski, then the next, leaning forward as he climbed the slope. Nylon sealskins attached to the underside of his skis gripped the snow. Touring bindings granted him a walking stride. He was a tall man, thirty- seven years old, slim at the waist and broad- shouldered. A snug woolen cap hid a thatch of prematurely graying hair. Glacier goggles shielded wine black eyes. Only a determined mouth and cheeks rough with a two- day stubble were visible. He wore his old ski patrolman’s jacket. He never climbed without it. Below him, his wife, Emma, clad in a red parka and black pants, labored up the mountainside. She climbed three steps, then rested. Two steps, then rested. They’d only just passed the halfway point and already she looked done in. Jonathan turned his skis perpendicular to the hill and rammed his poles into the snow. He waited for an acknowledgment, but his wife hadn’t heard him over the howling wind. Head lowered, she continued her unsteady ascent. Jonathan sidestepped his way down the slope. It was steep and narrow, bordered on one side by a sheer rock face and on the other by a plunging ravine. Far below, perched on a sweeping hillside, the village of Arosa in the eastern Swiss canton of Graub. I’m getting old.”“Yeah, thirty- two. Just wait till you’re my age, then it’s really all downhill.” He dug into his daypack for a bottle of water and handed it to her. Here they have gnomes. They’re smarter, but not half as strong. We’re on our own.” “Sure about that?”Jonathan nodded. Take your cap off for a minute and drink as much as you can.” “Yes, Doctor. Right away.” Emma removed her woolen cap and drank thirstily from the bottle. In his mind, Jonathan had a picture of her on the same mountain eight years earlier. It was their first climb together. He, the newly minted surgeon fresh from his first posting in Africa with Doctors Without Borders; she, the willful English nurse he’d brought back as his bride. Before they started out, he’d asked her if she’d climbed much before. For not coming with you these last few years.”“Don’t be silly. I’m just glad you’re here.”Emma lifted her face and kissed him. I’m thinking maybe we ought to turn back.”Emma tossed the bottle to him. I beat you up this hill once. Watch me do it again.”“You willing to put money on that?”“Something better.”“Oh yeah?” Jonathan took a drink, thinking that it was good to hear her talking trash again. A year even, since the headaches had begun and Emma had taken to disappearing into dark rooms for hours at a time. He wasn’t sure of the date. Only that it was before Paris, and Paris had been back in July. Pulling back his sleeve, he ran through the functions on his Suunto wristwatch. Barometer: 9. 00 millibars and falling. He stared at the numbers, not quite believing his eyes. The pressure was dropping through the floor.“What is it?” Emma asked. Jonathan stuffed the water bottle into his rucksack. We need to make tracks. You sure you don’t want to go back?”Emma shook her head. Just resolve.“Alright then,” he said. Give me a second to adjust my bindings.”Kneeling, Jonathan watched as a track of snow tumbled over the tips of his skis. In seconds, the skis were covered. The tips began to quiver and he forgot all about the bindings. Warily, he rose. Above his shoulder, the Furga Nordwand, a wall of rock and ice, shot a thousand feet to a craggy limestone summit. Prevailing winds had piled loose snow against the base of the wall, forming a high, broad embankment that appeared choked and unstable. He was an experienced mountaineer. He’d climbed in the Alps, the Rockies, and even for a season, the Himalayas. He’d had his share of scrapes. He’d come through when others hadn’t. He knew when to be worried.“Do you feel it?” he asked. The mountain shuddered. He thought of the snow on the Furga. Days of unremitting cold had frozen it into a mammoth slab weighing thousands of tons. It wasn’t thunder he heard, but the noise of the slab cracking and breaking free from the older, crustier snow beneath it. Jonathan stared up at the mountain. He’d been caught in an avalanche once before. For eleven minutes he’d lain beneath the surface, entombed in darkness, unable to move a hand, even a finger, too cold to feel that his leg had been yanked out of its socket and twisted backward so his knee was inches from his ear. In the end, he’d survived because a friend had seen the cross on his patrolman’s jacket a moment before he’d been swept under. Ten seconds passed. The wind slackened and an eerie quiet reigned. Without a word, he unwound the rope coiled round his midsection and fastened an end around Emma’s waist. Retreat was no longer an option. They needed to get out of the path of the coming avalanche. Using hand signals, he motioned that they would be taking a path directly up the face and that she was to follow closely. The face rose steeply, following the flank of the mountain. He kept a demanding pace. Every few steps he glanced over his shoulder to find Emma where she should be, no more than five paces behind. The wind picked up and shifted to the east. Snow attacked in horizontal slats, clawing at the folds of their clothing. He lost all feeling in his toes. His fingers grew numb and wooden. Visibility dwindled from twenty feet to ten, and then he couldn’t see beyond the tip of his nose. Only the burn in his thighs told him that he was moving uphill and away from the ravine. He crested the ridge an hour later. Exhausted, he anchored his skis and helped pull Emma up the final few feet. Lifting her skis over the edge, she collapsed in his arms. Her gasps came in spasmodic gulps. He held her close until she found her breath and was able to stand on her own. Here, in the saddle of two peaks, the wind pummeled them with the fury of a jet engine. The sky, however, had partially cleared, and Jonathan was granted a fleeting view down the valley that led to the village of Frauenkirch, and beyond it, Davos. He skied to the far side of the ridge and looked over the cornice. Twenty feet below, a chute of snow plummeted like an elevator shaft between outcroppings of rock. If we can get down here, we’ll be okay.”Roman’s was part of the local lore, named for a guide killed by an avalanche while skiing down it. Emma’s eyes opened wide. She looked at Jonathan and shook her head. Isn’t there another way?”“Not today.”“But . She pushed back, her chin resting on her chest. Let’s do it.” “Just a little drop, a quick turn, and it’s all cake. Like I said, we’ve done harder.”Emma nodded, more certainly now. Watch Smash Season 2 Episode 15 - With his sights set on the Tony, Tom pulls out all the stops at a Houston & Levitt tribute night, but can Julia turn away from &quo. Which Eileen has provided tickets to the cast and crew of 'Hit List'. While trying to avoid any on-line chatter leading up to the opening, Ivy can't help but be. 8.6 Rate this 1 2 3 4 5 6 7 8 9 10 8.6 / 10 X S2.E17 The Tonys 'Bombshell' and 'Hit List things. Episode Recap Smash on TV.com. Watch Smash episodes, get episode information, recaps and more. Search Shows News Community Listings Videos People. Smash TV Show Finale: Why Did the Show Get Cancelled? Tonight’s Smash season finale will also be the musical drama’s swan song. NBC has cancelled the show soon after poor ratings relegated it to the dreaded Saturday night slot. The hour- long network drama about the behind- the- scenes of Broadway had a promising start with a stellar pilot and solid audience numbers during its first season. What went wrong? The Smash premiere received strong reviews, IGN even naming it “one of the very best pilot episodes from this entire TV season.” The plot wove the story of Marilyn Monroe’s rise to fame with the lives of two talented actresses, Ivy Lynn (Megan Hilty) and Karen Cartwright (Katharine Mc. Phee), both would- be Broadway stars on the cusp of fame.“Creator Theresa Rebeck and her team have managed to capture the grand and sweeping gesture that is musical theater and inject it with the immediate intimacy of television,” a Los Angeles Times critic raved in one review. Series: February 6, 2012 — May 26, 2013 (2 seasons/32 episodes) Starring: Debra Messing, Christian Borle, Katharine McPhee Executive Producers: Steven Spielberg, Craig Zadan, Ne. Smash (TV series) Smash Genre Musical Drama Created by Theresa Rebeck Developed by Robert Greenblatt (uncredited) Starring Debra Messing Jack Davenport Katharine McPhee. Find album reviews, stream songs, credits and award information for The Music of Smash A description of tropes appearing in Smash. A 2012-13 musical drama on NBC from executive producer Steven Spielberg and the producers of Chicago and. As writer Julia Houston (Debra Messing) and composer Tom Levitt (Christian Borle) start writing the next hopeful Broadway hit, Ivy and Karen compete for the role of a lifetime: Marilyn. The show seemed to balance the right mix of nostalgia and freshness during its early episodes as the songs from Marc Shaiman and Scott Witman brought Marilyn’s story to life.“Smash is here as something bright, shiny and new . Unfortunately, the show would tarnish quickly. The cracks started showing in the first season as too many plots distracted from the whole. Smash was at its best when the writing focused on shop talk, giving audiences an inside peek into the workings of Broadway. Shows go through multiple book rewrites, workshops and even star players before making it onstage, and Smash was most successful when it used true- to- life struggles to fuel its drama. But the high stakes became diluted as the writers dragged in too many characters and storylines. Between Julia and her husband hoping to adopt a child, Ivy fighting with her mother and Ellis scheming behind Eileen’s back, Smash never had a moment to breathe. The drama of the characters’ lives quickly overpowered the show itself. As the plots only became messier in the second season, Smash was at best a guilty pleasure and sometimes not even that. The ill- fated Smash changed directions several times, first coming off the high of the pilot and becoming lost in side characters, and second after losing creator Rebeck. It also suffered from a long waiting period between seasons. The first season finale premiered mid- May 2. February to pick up the show again. Even established shows such as AMC’s Mad Men can see ratings drop after waiting a year between seasons. The show took more of a pop direction in season two as Karen and director Derek Wills (Jack Davenport) stumble upon Hit List, a musical in the works from the raw but talented Jimmy Collins (Jeremy Jordan) and Kyle Bishop (Andy Mientus). While the Hit List storyline contributes some gorgeous numbers (see “Heart- Shaped Wreckage” and “Rewrite This Story”), the personal lives of the characters became increasingly soap operatic after it was introduced. After Smash hit record ratings lows, it was shuffled to the Saturday night slot in April. Despite the money NBC has invested into Smash, which costs about $4 million an episode, TV executives decided it was time to let go. Smash ends tonight at 9 p. |
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